Steel Speaker IRs
Moderator: Dave Mudgett
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Chris Bauer
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Steel Speaker IRs
I know there's a a growing number of great steel rigs for Tonex, Kemper, Quad Cortex, etc., but is there anyone out there with just the IRs for some classic pedal steel speakers?
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Richard Sinkler
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Jack Stanton
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Ron Hogan
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Ian Worley
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York Audio has some really nice cab IRs of a pair of JBL D120F speakers captured in a '71 Twin Reverb. I have some of them loaded into my Iridium, they sound great for steel IMO. https://www.yorkaudio.co/product-page/ftwn-212-d120
All lies and jest, still a man hears what he wants to hear and disregards the rest - Paul Simon
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Mike Neer
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I use this particular set as well as some from OwnHammer (I like their EV-SROs and EV-S, and the Altec 417-8H is pretty good). Of course, I play lap steel so I don’t particularly care for the 15” speaker. I haven’t seen the BW out there, though.Ian Worley wrote:York Audio has some really nice cab IRs of a pair of JBL D120F speakers captured in a '71 Twin Reverb. I have some of them loaded into my Iridium, they sound great for steel IMO. https://www.yorkaudio.co/product-page/ftwn-212-d120
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Chris Bauer
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Richard Sinkler
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I have them loaded into my Nu-X Amp Academy. I would also like some BW or JBL 15" speaker IRs. My first amp was a '71 Twin with JBLs. I later made a head cabinet for the Twin and built a JBL spec'd cabinet with a K130.Ian Worley wrote:York Audio has some really nice cab IRs of a pair of JBL D120F speakers captured in a '71 Twin Reverb. I have some of them loaded into my Iridium, they sound great for steel IMO. https://www.yorkaudio.co/product-page/ftwn-212-d120
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Playing for 55 years and still counting.
Playing for 55 years and still counting.
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Joe Rogers
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Len Amaral
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I have the Boss IR-2 but don't think I am hooking up correctly. I got it to try with pedal steel but I'm very satisfied with my current setup so may try it with guitar in my home studio. There is a downloadable jack to import new effects so a speaker sim would be nice to try once I get familiar with the pedal.
I survived the sixties!
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Corbin Pratt
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Ron Hogan
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I’ve always wondered how they separate the IR sounds from the amp preset itself. Each present I would think would bleed over into that particular speaker sound.Joe Rogers wrote:I created a few for the BW 1502, I plan to create several for the BW 1501. I created a few for the Altec 418B
Joe Rogers
Thoughts?
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Joe Rogers
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- Location: Lake Charles, LA USA
[/quote]
I’ve always wondered how they separate the IR sounds from the amp preset itself. Each present I would think would bleed over into that particular speaker sound.
Thoughts?[/quote]
Ron, everything can be modeled into components. One can hook up the amp to the speaker and model everything in its entirety. That method does not allow you to try a different speaker, nor does it allow you to change mic brands or mic positions after the fact.
The second route is to model everything independently. The amp is basically modeled direct. The speaker IRs are simply a snapshot of the speaker. The two are put together at the tail end. The best way I can explain Speaker IR creation is by incorporating software, you would run an audio sine wave through a speaker. The software takes a snippet of the sine wave, removes the sine wave portion by means of deconvolver software, and your left with a representation of the speaker. Playing it back simply sounds like a snap or click. Run a steel through it, and it will sound like your steel audio going through the speaker...
....something like that...LOL
Joe Rogers
I’ve always wondered how they separate the IR sounds from the amp preset itself. Each present I would think would bleed over into that particular speaker sound.
Thoughts?[/quote]
Ron, everything can be modeled into components. One can hook up the amp to the speaker and model everything in its entirety. That method does not allow you to try a different speaker, nor does it allow you to change mic brands or mic positions after the fact.
The second route is to model everything independently. The amp is basically modeled direct. The speaker IRs are simply a snapshot of the speaker. The two are put together at the tail end. The best way I can explain Speaker IR creation is by incorporating software, you would run an audio sine wave through a speaker. The software takes a snippet of the sine wave, removes the sine wave portion by means of deconvolver software, and your left with a representation of the speaker. Playing it back simply sounds like a snap or click. Run a steel through it, and it will sound like your steel audio going through the speaker...
....something like that...LOL
Joe Rogers