I don't know much about the sacred steel movement beyond what I've read here, but I know when the ground shifts underneath my feet (or underneath my pac-seat) and it's damn well shifting right now.
There've been articles about this guy everywhere lately. While some of the writers call him a lap steel player and describe his instrument variously as peddle steel, petal steel or pedal steep, it's getting a level of attention it hasn't had since the early 70s.
If Bud Issacs kicked off the pedal steel movement in the early 50s, the next shift came in the late 60s - early 70s with country rock music, which introduced pedal steel to urbanites and northerners. Country rock, along with the availability of Winnie Winston's instruction book, are the main reasons there is a second generation of steel players active today.
I think the third wave of steel guitar is striking right now, answering the debate about the future of steel, is steel dying, and where will the next generation of steel players come from.
The train's left the station. Can you imagine what it'll be like if all of a sudden it's cool to be a pedal steel guitarist?

<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Mark Tomeo on 21 August 2001 at 12:38 PM.]</p></FONT>

<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Paul Graupp on 22 August 2001 at 07:02 AM.]</p></FONT>