TC Furlong Sesh 400 stomp box

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Jean-Marie Raffault
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Location: France

Post by Jean-Marie Raffault »

Thanks Paddy, I just sent an email to TC before you told me.
France is not so far as NZ ! :D
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Tal Herbsman
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Post by Tal Herbsman »

Been playing through it for a couple of weeks. I have an outboard tube spring reverb right before it and a furlong split cab powering it. I didn't really get what all the fuss was about until I switched back yesterday to my usual tube amp. Everything was off, especially the high end. It drove me mad and I ran back to sesh 400 set up. It is such a beautiful sound, the EQ is perfect. Agree with everyone. It's a great box. Also seem to be getting a tiny little bit of tubey compression and hair on top just like I like. Not really sure if it's the outboard verb. Future classic pedal.
Steve Hinson
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Post by Steve Hinson »

Paddy Long wrote:Steve I will be bringing mine to Dublin as well :-} ... just played my first live gig with it and loved it, Benado PF Steel dream, Peterson tuner, Sesh 400, Jay Ganz Straight Ahead power amp - Telonics 15" cabinet.
Did some tracking with it earlier in the week too and it sounded divine....

Jean-Marie -- try sending TC an email off his website and they will get it sorted for you -- thats how I got mine on the way ..6 days to NZ !

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Paddy,I'm thinking the Strymon"Flint"may be my favorite reverb pedal with the"Sesh"!
I may bring it to Dublin too!!!

SH
Danny Harrell
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Post by Danny Harrell »

Looks like I will have to be trying one of these. I already use Jay's Straight Ahead Power Amps in my gear so this will probably make a good addition. Great remarks on this pedal.
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Paddy Long
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Post by Paddy Long »

Steve I look forward to meeting you in Dublin :-}
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Steve Hinson
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Yes sir!

Post by Steve Hinson »

Paddy Long wrote:Steve I look forward to meeting you in Dublin :-}
Same here,Paddy!Gonna be fun!

SH
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Nick Fryer
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Post by Nick Fryer »

I’ve been loving my Sesh 400. I use it with my Quilter 101 Mini and a reverb pedal through a 2x10” cab and it sounds so great. It’s given me way more flexibility and control over my sound. With all that I’d love to get feedback on settings and different ways people are hooking it up. Just can’t say enough about how much I like the Sesh 400. Such a great unit.


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Roger Crawford
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Post by Roger Crawford »

When going into the 202’s effects return and using a dummy plug in the send, does that take the voice function out of play?
Ron Hogan
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Post by Ron Hogan »

Roger Crawford wrote:When going into the 202’s effects return and using a dummy plug in the send, does that take the voice function out of play?
Roger, what worked for me is setting the toggle to FRFR and then turn the bass, mid and treble knobs to 12:00 O'clock as mentioned in the manual. It made a big difference for me. Then you don't have to use the tone controls on the 202. Only using the input jack.



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Jerry Overstreet
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Post by Jerry Overstreet »

So now that the new has worn off, what does everybody think?
Still happy?

Here's my concern: I have a couple of MosValve 100W amps with BW 1203s and 1201s and the SE70 m/fx unit in front. Power is good enough and I love it for straight guitar or lap steel, but it's hard to get really good body for pedal steel. I have used it for pedal steel, but it just lacks something.

Just wondering if that Sesh 400 would warm the amp up enough to justify the cost. I've used my TubeWorks stereo reverb, sort of a preamp/eq as well as reverb effect, but that doesn't do it.
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Danny Naccarato
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Post by Danny Naccarato »

I will say this. Whatever I’ve put the Sesh in front of, has really helped. I’ve put it in front of my Fender Tonemaster Twin and it’s taken it to another level!!
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Roger Crawford
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Post by Roger Crawford »

Danny, since the Twin doesn’t have an effects loop, I assume you went in direct. Did you set the controls flat on the Twin, or use both of the preamps to shape your tone?
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Danny Naccarato
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Post by Danny Naccarato »

I left my Twin's controls as is, then set the Sesh on a "Unity" gain, which is to say set the Master and Sens at about 9:30 o'clock. Then I tweaked those up some as well as some of the other knobs on the Sesh, to taste. It sounded really good.
Ron Hogan
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Post by Ron Hogan »

Jerry Overstreet wrote:So now that the new has worn off, what does everybody think?
Still happy?

Here's my concern: I have a couple of MosValve 100W amps with BW 1203s and 1201s and the SE70 m/fx unit in front. Power is good enough and I love it for straight guitar or lap steel, but it's hard to get really good body for pedal steel. I have used it for pedal steel, but it just lacks something.

Just wondering if that Sesh 400 would warm the amp up enough to justify the cost. I've used my TubeWorks stereo reverb, sort of a preamp/eq as well as reverb effect, but that doesn't do it.

I believe the Sesh has made my Tone block sound better the way I like. Before that, the Tone Block was ok, but nothing great.

Now I have to try my Sesh on a couple other amps I have.
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Brooks Montgomery
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Post by Brooks Montgomery »

Sesh 400: So in terms of the sound and tone, is it mostly filtering/affecting mids?
A banjo, like a pet monkey, seems like a good idea at first.
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Kerry Johnson
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Sesh.400 sound samples

Post by Kerry Johnson »

anyone willing to post a sound sample :?: :?: :?:

...
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Jerry Overstreet
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Post by Jerry Overstreet »

...what Kerry said. Maybe a before and after with the same gear? It's kind of a big bite to take without some comparisons.

PMs welcome if you don't want to comment here.
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Tommy Boswell
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Furlong Sesh.400 Sesh-400 Sesh 400

Post by Tommy Boswell »

Got mine yesterday. First impression is very good, running into Quilter 202 return jack, powering a pair of PF350s.
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Brad Sarno
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Post by Brad Sarno »

Brooks Montgomery wrote:Sesh 400: So in terms of the sound and tone, is it mostly filtering/affecting mids?
It's 4 bands:

Bass
Mid dip with frequency sweep control, mostly just dipping, no for mid boosting.
Treble, mostly right around 2kHz
Presence: high treble content

It does exactly what a real Session 400 does regarding tone shaping and gain.


Brad
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Tommy Boswell
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Post by Tommy Boswell »

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Last edited by Tommy Boswell on 12 Oct 2024 6:41 pm, edited 1 time in total.
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Corbin Pratt
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Post by Corbin Pratt »

Anyone tried running this in front of a tube amp?
CP

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Chris Willingham
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Post by Chris Willingham »

Corbin Pratt wrote:Anyone tried running this in front of a tube amp?
I'm using mine on the road in front of my milkman and I've used it at home into my Bad Dawg p2p. Both are excellent, running it at 9:30 for unity gain, so it's really just an eq before the amp. Still get the tube warmth, but with the tight bass and nice mids from a session 400.
Fiddle, banjo and steel for Tennessee Jet

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Rick Abbott
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Post by Rick Abbott »

I've been considering building a tube powered speaker to use with a Sesh 400. Probably a 1-12 with 2 6L6s, a phase inverter and input circuit. I was thinking about basing on a tweed pro.
RICK ABBOTT
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Brad Sarno
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Post by Brad Sarno »

Rick Abbott wrote:I've been considering building a tube powered speaker to use with a Sesh 400. Probably a 1-12 with 2 6L6s, a phase inverter and input circuit. I was thinking about basing on a tweed pro.
That would be awesome!!!!
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Chris Willingham
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Post by Chris Willingham »

I just noticed the Sesh appears to take 9V center positive, not negative, for power. I've been running center negative to it from my Zuma :eek: No problems so far, but I haven't seen anyone else mention center positive for it. Anybody doing that? Certainly don't wanna mess up anything, I love this box.
Fiddle, banjo and steel for Tennessee Jet

2021 MSA Legend XL S10 5X6 brown burst
Beard Josh Swift Sig, the purple one
Lap King Rodeo
Milkman 1/2&1/2 and a bunch of fiddles