Good explanation on C7, C9, C13 Differences

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Bill McCloskey
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Good explanation on C7, C9, C13 Differences

Post by Bill McCloskey »

One of the better music theory youtube videos I've seen with a great explanation of how to read chord charts that contain altered and upper extension chords. Main take away: A chart is information, not instructions. I definitely learned some things about playing dom 7ths and incorporating 9ths, flat 9ths, flat and augmented 5ths etc.

https://youtu.be/nSaLz9yTe3o
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Ian Rae
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Post by Ian Rae »

Thanks for posting, Bill - excellent and clear!
I already knew the theory, but the "informatìon" aspect clarified for me exactly what to put in a chart.
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Fred Treece
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Post by Fred Treece »

I wish someone had told me about this before I auditioned for my high school jazz band 50 years ago. Instead I just sat there like a lump, unable to read the chart which was impossible to play even if I did understand it.

After buying several jazz music books (with more of those impossibly complex chord diagrams above the staff) I figured out on my own pretty much what this guy is talking about. But the point about NOT altering a chord with a specified unaltered extension beyond the 7th is something I’d never thought about. I usually just appreciated having something readable and commonly playable. Also, what a chord guy is “expected” to play beyond the 7th may be genre-related. As always, when in doubt, KISS it.
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Ian Rae
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Post by Ian Rae »

Fred Treece wrote:what a chord guy is “expected” to play beyond the 7th may be genre-related
goes without saying, so I'm saying it
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Fred Treece
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Post by Fred Treece »

You know what happens when you assume something, Ian. ;-)