TV Opry Dec 21
Moderator: Dave Mudgett
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Janice Brooks
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TV Opry Dec 21
7:00-8:00
Ricky Skaggs
Aaron Tippin
Bill Anderson
Lee Ann Womack
Dean Miller
Ricky Skaggs
Aaron Tippin
Bill Anderson
Lee Ann Womack
Dean Miller
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Leigh Howell
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Janice Brooks
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Reggie Duncan
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Dave Robbins
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RetCop, 
Reggie,
Yes, that was Tommy's old SHO-BUD (70 Professional). During the 9:00 to 9:30 break tonight I got the pleasure of sitting down at Tommy's SHO-BUD just for a moment and found it to be probably the best playing old SHO-BUD Professional I have ever seen! It is a great guitar played by a great player...Go get 'em "Killer!"
Dave

Reggie,
Yes, that was Tommy's old SHO-BUD (70 Professional). During the 9:00 to 9:30 break tonight I got the pleasure of sitting down at Tommy's SHO-BUD just for a moment and found it to be probably the best playing old SHO-BUD Professional I have ever seen! It is a great guitar played by a great player...Go get 'em "Killer!"
Dave
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Reggie Duncan
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Jim Smith
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It was nice to hear Tommy playing again and I heard shades of Lloyd Green in his tone.
I saw a few shots of his Sho-Bud, but the only view of him was his hands. His wife Teresa is great at getting shots of the steel players, but I guess the powers that be didn't want us to see Tommy this week. 
Was Tommy playing the Sho-Bud because Johnny Cox is still borrowing his MSA?
I saw a few shots of his Sho-Bud, but the only view of him was his hands. His wife Teresa is great at getting shots of the steel players, but I guess the powers that be didn't want us to see Tommy this week. 
Was Tommy playing the Sho-Bud because Johnny Cox is still borrowing his MSA?

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Dave Robbins
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Jim,
out of all the guitars Tommy has and could have played, he chose that 'BUD. I happen to know he just happens to "like" the old 'BUD. He also has a blonde 'BUD, too, but he still chose to play the dark one! What does that tell ya? I'll give ya' a clue...the dark one's got "great" tone!
Reggie,
thanks man.
Dave
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Dave Robbins on 22 December 2002 at 09:11 PM.]</p></FONT>
out of all the guitars Tommy has and could have played, he chose that 'BUD. I happen to know he just happens to "like" the old 'BUD. He also has a blonde 'BUD, too, but he still chose to play the dark one! What does that tell ya? I'll give ya' a clue...the dark one's got "great" tone!

Reggie,
thanks man.

Dave
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Dave Robbins on 22 December 2002 at 09:11 PM.]</p></FONT>
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Butch Foster
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Joe Casey
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Jim Smith
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Dave Robbins
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Retcop,
dead on the money! The marks of a truly gifted, talented, and experienced player is not only their ability to play well, but to get good tone while doing so.
However, the same gifted, talented and experienced player will also have that same ability to know what sounds good and what doesn't, no matter what brand.
Buddy "always" sounds great no matter what he plays, but I'm sure he would be the first to tell you what particular guitar he played that had the best tone and why. He knows what he prefers, in the way of the "sound or tone" of an instrument, that will inspire him (he once told me a long time ago that he looks for a guitar that has that "bell like tone!"), then the rest is all up to him!
Tommy, being the gifted player he is, no doubt knows what he wants, and when he hears an instrument that gives him just what he is looking for it inspires him to play. He can settle into "playing" instead of concentrating on trying to "milk" every ounce of tone from it.
Being steel players, we are very "sound" oriented. If it doesn't "sound right" to us then we'll not play our very best. When we hear that sound that inspires us, we will play our very best. The "sound" and "what we play" is an extension of our very soul! Sometimes our influences and hero's will even show through in our playing, but it's all about our heart, man!
Personnally, I never let a guitar play me, I play the guitar. If the "sound" I hear gives me that "warm and fuzzy" feeling, I play better... no matter how clanky, soft, stiff, smooth or awkward that guitar may be. Some guitars play better than others according to "my" preference, but if what I "hear" inspires me, I will play better!
Afterall, I think we all want to play a little better...don't we?
Dave
dead on the money! The marks of a truly gifted, talented, and experienced player is not only their ability to play well, but to get good tone while doing so.
However, the same gifted, talented and experienced player will also have that same ability to know what sounds good and what doesn't, no matter what brand.
Buddy "always" sounds great no matter what he plays, but I'm sure he would be the first to tell you what particular guitar he played that had the best tone and why. He knows what he prefers, in the way of the "sound or tone" of an instrument, that will inspire him (he once told me a long time ago that he looks for a guitar that has that "bell like tone!"), then the rest is all up to him!
Tommy, being the gifted player he is, no doubt knows what he wants, and when he hears an instrument that gives him just what he is looking for it inspires him to play. He can settle into "playing" instead of concentrating on trying to "milk" every ounce of tone from it.
Being steel players, we are very "sound" oriented. If it doesn't "sound right" to us then we'll not play our very best. When we hear that sound that inspires us, we will play our very best. The "sound" and "what we play" is an extension of our very soul! Sometimes our influences and hero's will even show through in our playing, but it's all about our heart, man!
Personnally, I never let a guitar play me, I play the guitar. If the "sound" I hear gives me that "warm and fuzzy" feeling, I play better... no matter how clanky, soft, stiff, smooth or awkward that guitar may be. Some guitars play better than others according to "my" preference, but if what I "hear" inspires me, I will play better!
Afterall, I think we all want to play a little better...don't we?

Dave

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Dave Robbins
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Al Marcus
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Dave Robbins- you are a very perceptive musician. I can heartily agree with what you just wrote.
When I am not getting the tone, I hear in my head or when the guitar is out of tune, I simply play lousy . But when the guitar is in tune and I am getting THAT tone, I am inspired and play better than ever. So you put your finger on the truth....al
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Al Marcus on 23 December 2002 at 07:08 PM.]</p></FONT>
When I am not getting the tone, I hear in my head or when the guitar is out of tune, I simply play lousy . But when the guitar is in tune and I am getting THAT tone, I am inspired and play better than ever. So you put your finger on the truth....al
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Al Marcus on 23 December 2002 at 07:08 PM.]</p></FONT>-
Martin Weenick
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Dave, I agree with every thing you said. When I watch and listen to my " Evening on E-9th " video with Lloyd and Tommy, it just seems to me that Lloyd is not as comfortable playing the JCH as he would be on his Sho-Bud that he knows so well. Dont get me wrong, his performance was great, but I believe he could have been more relaxed and played with a little more feeling had he been behind his beloved Sho-Bud.
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Martin W. Emmons LG III 3/5 Peavy 1000
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Martin W. Emmons LG III 3/5 Peavy 1000
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Dave Robbins
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Martin,
that could be, but that would really be a good question for LLoyd. His answer I'm sure would be very interesting.
Remember, it isn't about "brand," it is about "particular" guitars sounding best to "our own ears." It isn't about favortisism or preference, it is about "what we hear" and not what we see. Tommy also has another particular brand of guitar that also sounds exceptional (to both him and I), but he has another guitar of the same brand that doesn't seem to sound as well. And don't forget, he also has another SHO-BUD that doesn't seem to sound the same either, not that any of these other guitars sound bad! I'm sure Tommy has his "favorites" and I'll bet there are many reasons why they are. But man, when you play a certain guitar and it really affects you in a way that inspires you, you are going to play even better.
I have seen a few guitars from different manufacturers that just sounded exceptional to me (ask Mike Cass about the Excel he and I played that had the "cracked body!). I have also found guitars within "my preferred brand" that I thought just didn't cut it, so finding that "special" guitar that really knocks us out can be a rare but very rewarding experience.
Question:
Do you play "your" guitar out of allegiance to a particular brand, or do you play it because hearing "that" particular guitar does something for you that no other guitar can do, even within the same brand?
There are huge differences between: knowing/not knowing the difference, playing out of allegiance to a brand, playing what you can afford, being a collector, or playing what makes you feel better and play better!
For me, I have two guitars that are my favorites, both inspire me but in different ways. However, all the rest of my guitars are just "collections."
How about you?
Dave
that could be, but that would really be a good question for LLoyd. His answer I'm sure would be very interesting.
Remember, it isn't about "brand," it is about "particular" guitars sounding best to "our own ears." It isn't about favortisism or preference, it is about "what we hear" and not what we see. Tommy also has another particular brand of guitar that also sounds exceptional (to both him and I), but he has another guitar of the same brand that doesn't seem to sound as well. And don't forget, he also has another SHO-BUD that doesn't seem to sound the same either, not that any of these other guitars sound bad! I'm sure Tommy has his "favorites" and I'll bet there are many reasons why they are. But man, when you play a certain guitar and it really affects you in a way that inspires you, you are going to play even better.
I have seen a few guitars from different manufacturers that just sounded exceptional to me (ask Mike Cass about the Excel he and I played that had the "cracked body!). I have also found guitars within "my preferred brand" that I thought just didn't cut it, so finding that "special" guitar that really knocks us out can be a rare but very rewarding experience.
Question:
Do you play "your" guitar out of allegiance to a particular brand, or do you play it because hearing "that" particular guitar does something for you that no other guitar can do, even within the same brand?
There are huge differences between: knowing/not knowing the difference, playing out of allegiance to a brand, playing what you can afford, being a collector, or playing what makes you feel better and play better!
For me, I have two guitars that are my favorites, both inspire me but in different ways. However, all the rest of my guitars are just "collections."
How about you?

Dave
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Dave Robbins
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Janice Brooks
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Janice Brooks
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