Help with changes to Killer Joe
Moderator: Ricky Davis
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Mike Bagwell
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- Location: Greenville, SC, USA
Help with changes to Killer Joe
I need help with the changes for this tune. It was recorded by Buddy and Danny Gatton. And Buddy and Lenny Breau. Any help would be appreciated.
Thanks
Mike<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Mike Bagwell on 14 January 2001 at 02:53 PM.]</p></FONT>
Thanks
Mike<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Mike Bagwell on 14 January 2001 at 02:53 PM.]</p></FONT>
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John Steele (deceased)
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Mike Bagwell
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John Steele (deceased)
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- Location: Renfrew, Ontario, Canada
Well, thanks Mike... I'm mostly smoke, but I do own a few good books 
Ok this is a chart from a very reliable fake book I have, as Golson wrote it. I notice this tune seems to have some long vamp-like (C-Bb)stuff going on that may or may not be part of the Emmons/Gatton version-not sure. I have a feeling it's the bridge you really want anyway
so, here it is, complete, from the book:
|C13 |Bb13 |C13 |Bb13|
|C13 |Bb13 |C13 |Bb13|
|C13 |Bb13 |C13 |Bb13|
|C13 |Bb13 |C13 |Bb13|
|Em7b5 |A7b9 |Eb-7 |Ab13 Ab7|
|A9 A7b9|Ab7b9|E-7 |A13b9 |
|C13 |Bb13 |C13 |Bb13 |
|C13 |Bb13 |C13 |Bb13 |
|C13 |Bb13 |C13 |Bb13 |
|C13 |Bb13 |C7#9 | |
I've copied those chords, as annoyingly complex as they are, exactly.
I remember fooling with this bridge on the steel once, and found that all those little subleties on the bridge chords did make a difference when playing the head. I'm sure as long as you stayed in the same tonality when you were soloing, you would take (simpler) liberties.
-John <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by John Steele on 14 January 2001 at 09:52 PM.]</p></FONT>

Ok this is a chart from a very reliable fake book I have, as Golson wrote it. I notice this tune seems to have some long vamp-like (C-Bb)stuff going on that may or may not be part of the Emmons/Gatton version-not sure. I have a feeling it's the bridge you really want anyway
so, here it is, complete, from the book:|C13 |Bb13 |C13 |Bb13|
|C13 |Bb13 |C13 |Bb13|
|C13 |Bb13 |C13 |Bb13|
|C13 |Bb13 |C13 |Bb13|
|Em7b5 |A7b9 |Eb-7 |Ab13 Ab7|
|A9 A7b9|Ab7b9|E-7 |A13b9 |
|C13 |Bb13 |C13 |Bb13 |
|C13 |Bb13 |C13 |Bb13 |
|C13 |Bb13 |C13 |Bb13 |
|C13 |Bb13 |C7#9 | |
I've copied those chords, as annoyingly complex as they are, exactly.
I remember fooling with this bridge on the steel once, and found that all those little subleties on the bridge chords did make a difference when playing the head. I'm sure as long as you stayed in the same tonality when you were soloing, you would take (simpler) liberties.
-John <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by John Steele on 14 January 2001 at 09:52 PM.]</p></FONT>
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Mike Bagwell
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Drew Howard
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folks,
The last time I went ISGC was in '98, which I do believe is the last year that Emmons played there. Anyhoo, on the Sunday show he played Killer Joe. And it was killer!
John, you gave us the chords, surely you must know how to play it(hint, hint)?
cheerio,
Drew
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The last time I went ISGC was in '98, which I do believe is the last year that Emmons played there. Anyhoo, on the Sunday show he played Killer Joe. And it was killer!
John, you gave us the chords, surely you must know how to play it(hint, hint)?
cheerio,
Drew
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" TARGET=_blank>http://www.newslinkassociates.com
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Mike Bagwell
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- Location: Greenville, SC, USA
Drew,
Try this out, I couldn't figure out how to put in measures so you'll
have to listen to the recording for the phrasing. Of course this is
just the bridge, but the 1 to b7 octave part is pretty simple
Mike
<font face="monospace" size="2"><pre>
1___________7__________________________________________________________
2_______________6____6_____8____9______8+1/2__11_______________________
3_7_____7_______6____6__________9______8______11+1/2____16______16_____
4_7_____7_______6____6__________9+1/2__8+1/2__11+1/2____16+1/2__16_____
5_7_____7-1/2___6____6-1/2______9______8______11________16______16-1/2_
6_7-1/2_7-1/2___________________________________________16-1/2__16-1/2_
7_7_____7______________________________________________________________
8______________________________________________________________________
9______________________________________________________________________
10_____________________________________________________________________
</pre></font>
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Mike Bagwell on 15 January 2001 at 10:30 PM.]</p></FONT>
Try this out, I couldn't figure out how to put in measures so you'll
have to listen to the recording for the phrasing. Of course this is
just the bridge, but the 1 to b7 octave part is pretty simple
Mike
<font face="monospace" size="2"><pre>
1___________7__________________________________________________________
2_______________6____6_____8____9______8+1/2__11_______________________
3_7_____7_______6____6__________9______8______11+1/2____16______16_____
4_7_____7_______6____6__________9+1/2__8+1/2__11+1/2____16+1/2__16_____
5_7_____7-1/2___6____6-1/2______9______8______11________16______16-1/2_
6_7-1/2_7-1/2___________________________________________16-1/2__16-1/2_
7_7_____7______________________________________________________________
8______________________________________________________________________
9______________________________________________________________________
10_____________________________________________________________________
</pre></font>
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Mike Bagwell on 15 January 2001 at 10:30 PM.]</p></FONT>
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Bobby Boggs
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Bobby Boggs
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Silly me.You are raising the 4th string with your knee and half-pedaling the 3rd string.Now that I can do. On 2nd thought you have the 3rd string half tone raise on a left knee.I have both of those changes split on 2 right knees left.Try using those 2 together. The knee pedal and half pedal works pretty good for those of you with just the standard C6th changes.Of course there are still several others ways to do this.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Bobby Boggs on 16 January 2001 at 10:26 AM.]</p></FONT>
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Ernie Renn
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- Location: Brainerd, Minnesota USA
I think it's the use of a C to C# pedal/knee and not half pedaling. Half pedaling on pedal 7 would raise both the 3rd and 4th strings.
Nice job, Mike! (and John!)
It's Killer...Joe...
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My best,
Ernie
The Official Buddy Emmons Website
www.buddyemmons.com
Nice job, Mike! (and John!)
It's Killer...Joe...
------------------
My best,
Ernie
The Official Buddy Emmons Website
www.buddyemmons.com
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Bobby Boggs
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John Steele (deceased)
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Well, I must be even poorer than both you guys.. 'cause I haven't got the 3rd string raise, and I can't half-pedal worth a darn...
so I'm gonna play the 11th fret Ab chord here, since the next one is at fret 16:
1--------
2--------
3--15----
4--15----
5--15(5--
6--15(6--
7--------
Mike, fantastic job ! I love the change from fret 9 to 8. I never would have figured that out.
-John
Edit:
Just in case you guys want to play Mike's tab with a group; just my opinion only, but this set of changes for the bridge would match nicely and not freak out the band:
|Em7b5 |A7b9 |Eb-7 |Ab9 |
|A7 |Ab7b9|E-7 |A7b9|
The sixth bar (Ab7b9), Mike briefly states a Absus (eighth fret) before the Ab7b9, but I wouldn't bother to notate that on a chart.
-John out <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by John Steele on 16 January 2001 at 07:45 PM.]</p></FONT>
so I'm gonna play the 11th fret Ab chord here, since the next one is at fret 16:
1--------
2--------
3--15----
4--15----
5--15(5--
6--15(6--
7--------
Mike, fantastic job ! I love the change from fret 9 to 8. I never would have figured that out.
-John
Edit:
Just in case you guys want to play Mike's tab with a group; just my opinion only, but this set of changes for the bridge would match nicely and not freak out the band:
|Em7b5 |A7b9 |Eb-7 |Ab9 |
|A7 |Ab7b9|E-7 |A7b9|
The sixth bar (Ab7b9), Mike briefly states a Absus (eighth fret) before the Ab7b9, but I wouldn't bother to notate that on a chart.
-John out <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by John Steele on 16 January 2001 at 07:45 PM.]</p></FONT>
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Ernie Renn
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- Joined: 4 Aug 1998 11:00 pm
- Location: Brainerd, Minnesota USA
I think it would make sense to use that position and pedal combination. Beings your going to the 16th fret anyway.
Thanks Mike and John!
------------------
My best,
Ernie
The Official Buddy Emmons Website
www.buddyemmons.com
Thanks Mike and John!
------------------
My best,
Ernie
The Official Buddy Emmons Website
www.buddyemmons.com
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Mike Bagwell
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Bobby Boggs
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- Location: Upstate SC.
Only to visit you my friend.No one like's my ideas anyhow.
John's way is to easy. It needs to hurt a little.
No really I like it voiced at the 11 fret, 12 fret for me,lowering 2 and 5 a half-step.
BTW I'll bet Buddy Rocket plays it with the knee-pedal half-pedal.He only has 5&2 on his PP C6th.And he's in to pain.Have you seen the way he sweats? What a showman though.----- I'm out'a here bb<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Bobby Boggs on 17 January 2001 at 08:47 AM.]</p></FONT>
John's way is to easy. It needs to hurt a little.
No really I like it voiced at the 11 fret, 12 fret for me,lowering 2 and 5 a half-step.BTW I'll bet Buddy Rocket plays it with the knee-pedal half-pedal.He only has 5&2 on his PP C6th.And he's in to pain.Have you seen the way he sweats? What a showman though.----- I'm out'a here bb<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Bobby Boggs on 17 January 2001 at 08:47 AM.]</p></FONT>
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Ernie Renn
- Posts: 3491
- Joined: 4 Aug 1998 11:00 pm
- Location: Brainerd, Minnesota USA
Putting this tab up was a "just in the nick of time" things. I got a near-mint copy of "Minors Aloud" in the mail last week. Sweet!!!
You guys are great!
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My best,
Ernie
The Official Buddy Emmons Website
www.buddyemmons.com
You guys are great!
------------------
My best,
Ernie
The Official Buddy Emmons Website
www.buddyemmons.com
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Bobby Boggs
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John Steele (deceased)
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Frank Estes
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Thanks for bringing this up. I somehow missed it the first time around. Jernigan's 7 Jazz Solos course includes an adlib solo for "Killer Joe" tabbed out and includes an audio cassette. Now I can apply Buddy's bridge and Jernigan's adlib ideas and perhaps come up with a reasonable performance.
Mike Bagwell is one of my favorite players and I am happy to have him as a friend and from what I have heard, I am anxious to hear Mr. Boggs play some time.
Mike Bagwell is one of my favorite players and I am happy to have him as a friend and from what I have heard, I am anxious to hear Mr. Boggs play some time.
